Title: Buffalo Bill's Wild West Review
Periodical: Newsagent and Booksellers Review
Date: August 6, 1892
More metadataBuffalo Bill's Wild West Review.
A sixpennyworth that will probably have a large sale both in London and the country is "Buffalo Bill's Wild West Review." It is being published this week by L. Plum, 102, Richmond-road, Earl's Court, on the satisfactory terms of 4s. 6d. per dozen of 13, carriage paid. The book is foolscap folio in size, covered with a highly-attractive coloured wrapper and made up of 20 pages of high tone paper. The contents consist of some 60 illustrations, most perfectly drawn from life by Charles R. Henchel. Why we have not seen a great deal more of this artist's work we cannot imagine. Some of his sketches are perfect conceptions of life in the Wild West, while his horses—well, they are horses, which is [drawing] CH 91 REDUCTION OF THE COVER ILLUSTRATION. saying a great deal in the artistic world. The literary matter has been compiled from various descriptions of the great show by William Langan, and it is a most interesting account. Apart from its value as a record of the Wild West Exhibition, this publication affords an excellent idea of North American Indian life, besides acting as a very suitable boy's book. The portrait we give of Buffalo Bill is an example of the artistic merit referred to. The trade can get a specimen copy for fourpence post free, by applying to Mr. Plum.
Title: Buffalo Bill's Wild West Review
Periodical: Newsagent and Booksellers Review
Source: McCracken Research Library, Buffalo Bill Center of the West, William F. "Buffalo Bill" Cody Collection, MS6, MS6.3778.101.05 (1892 London)
Date: August 6, 1892
Topics: Buffalo Bill's Wild West in Britain
Keywords: Advertising American Indians Books Drawings and graphics Exhibitions Indians of North America--Social life and customs Scrapbooks Traveling exhibitions
People: Henckel, Charles, 1862-
Places: Earl's Court (London, England) London (England)
Artist: Henckel, Charles, 1862-
Sponsor: This project is supported in part by a grant from the National Endowment for the Humanities and the Geraldine W. & Robert J. Dellenback Foundation.
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